Episode 110: Peperomias part two
Peperomias come in all shapes and habits, from the watermelon peperomia (left) and the raindrop peperomia (right) and the trailing Peperomia angulata in the middle. Photograph: Jane Perrone.
Transcript
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Missed part one of Peperomias? Click here to listen and check out the full show notes.
Peperomias are centre stage again this week as we hear part two of my chat with Peperomia expert Sally Williams, learn more about this fascinating group of plants, and get lots of care tips. And I also answer a question about the so-called resurrection plant.
General info for this episode
Sally Williams’ Peperomia cuttings rooting in their clear plastic pots. Photograph: Jane Perrone.
Peperomia obtusifolia cultivars displayed on a plant stand. Photograph: Jane Perrone.
Never heard of a National Collection Schemes before? Find out more at nccpg.com.
Sally’s Peperomia collection is on Plant Heritage website, here: you can visit the collection by appointment.
Sally’s propagation technique works with most peperomias apart from the really succulent types such as P. columella. Just get a clear plastic pot, put a few mms of water at the bottom and place your leaf or stem ccutting inside, then add the lid and leave in a bright spot. Once rooted, the cuttings can be transferred to gritty compost. Add a clear plastic bag at first if you are worried about wilting.
Growing Peperomias in terracotta is helpful for this genus as it allows plenty of air to reach the roots. Sally’s dark brown terracotta pots seem to be sold as ‘basalt’ terracotta online and are available from the Blue Diamond group of garden centres in the UK.
Intrigued by geophytic Peperomias? more info on Peperomia.net.
As Peperomias don’t have big root systems, they can manage with quite a small pot - or put several Peperomias into the same pot, but make sure they are Peperomias that like the same conditions.
many Peperomias benefit from a cooler period over winter if they are to flower at their best.
Some of Sally’s Peperomia cultivars. Photograph: Jane Perrone.
Peperomias mentioned in this episode
Among Sally’s P. caperata cultivars she mentions ‘Luna Red’, and the similar but smaller-leaved ‘Schumi Red’, the variegated ‘Abricos’, and ‘Quito’ with pumpkin-coloured leaves.
Peperomia griseoargentea look similar to P. caperata except the leaves are grey-silver.
The trailing Peperomia nitida ‘Variegata’ is often known as P. scandens ‘Variegata’.
Peperomia hoffmanii is often sold as ‘Isabel’.
Peperomia prostrata aka string of turtles is extremely popular and loves being misted.
Peperomia pecuniifolia is a round-leafed trailing type often sold as trailing jade.
Peperomia columella, P. nivalis, P. strawii, P. congesta and P. kimnachii are all window-leaved, succulent Peperomias.
The plant stand featuring P. obtusifolia cultivars (see photo below) includes the gorgeous cream and green-splashed ‘Golden Gate’.
One of my favourites is Peperomia ‘Piccolo Banda’.
Sally Williams in her Peperomia room. Photograph: Jane Perrone
Answers to your Peperomia questions
Mike’s ‘Rana Verde’ is causing him problems, but Sally suggests checking the potting mix - it may need changing from that supplied by the nursery (see Peperomias part one for potting mix details). Remove the flower spikes to help the plant put its energy into new leaves.
If you’re looking for a really great cultivar to start your collection, Sally recommends P. ‘Napoli Nights’.
Chris’s problem with tiny leaves: Sally wonders if this is P. orba which is prone to this problem when kept too warm and wet over winter. Cut off the tiny leaves and keep cooler and dryer in winter.
Is P. ‘Ruby Cascade’ the same cultivar as P. ‘Pepperspot’? Sally thinks so, but as we’ve explained, it’s hard to tell some cultivars apart.
It’s a good idea to remove flower spikes once they’ve finished flowering as they can sap the energy of the plant.
Question of the week
Steve was on the point of buying a Selaginella lepidophylla - aka rose of Jericho - aka resurrection plant - when he started to hear rumours about wild poaching of this plant. So he wanted to know whether it was a plant he should avoid buying.
I got in touch with Jeff Benca, a horticulturist and paleobtoanist, for his view. He said:
The plants are wild collected and so far they are rarely grown successfully. I do not encourage purchasing S. lepidophylla because the wild harvest that is taking place is not going to be sustainable in the future. Most plants offered for sale are long dead, even though they appear green when hydrating.
Resurrection plants are usually bought like this: a desiccated brown ball. Photograph: Michelle Spaulding on Flickr
James Wong wrote an interesting piece about this plant and other members of the spikemoss clan, so I also asked him for his thoughts. He says he’s not aware of anyone growing this plant in the EU, but he does note that it is classed as ‘not threatened’ when it comes to its conservation status. He went on: “So in theory if this wild harvesting is being done in a sustainable way (a big ‘if’), this may not only be environmentally benign but could have benefits such as giving local people an incentive to protect these habitats. A complex one!”
So, if you’re in any doubt about the provenance of your plant, do ask questions of your potential supplier - where are their plants from, how are they raised or collected, and so on. A trustworthy seller should be happy to furnish you with this information.
And if you don’t get satisfactory answers to your questions, perhaps stick to watching a timelapse of the plant ‘blooming’ instead: there’s many online but here’s a couple here and here.
Want to ask me a question? Email ontheledgepodcast@gmail.com. The more information you can include, the better - pictures of your plant, details of your location and how long you have had the plant are always useful to help solve your issue!
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CREDITS
This week's show featured the tracks Roll Jordan Roll by the Joy Drops and Quasi Motion by Kevin Macleod. This week’s ad music track is Whistling Rufus by the Heftone Banjo Orchestra. All tracks licensed under Creative Commons.
Logo design by Jacqueline Colley.