Episode 185: the silver dollar vine, Xerosicyos danguyi
The silver dollar vine (Xerosicyos danguyi) growing in the glasshouse at the New York Botanical Gardens. Photograph: Ryan Somma on Flickr.
Transcript
Subscribe to On The Ledge via Spotify, Apple Podcasts, Player FM, Stitcher, Overcast, RadioPublic and YouTube.
In this episode I take a look at the silver dollar vine, Xerosicyos danguyi, an intriguing trailing succulent that is a member of the cucurbit family. Plus I answer a question about making a Philodendron fuller, and we hear from listener Greg.
My specimen of the silver dollar vine. Photograph: Jane Perrone.
Check out the notes below as you listen…
The genus name Xerosicyos comes from two Greek words: ‘xeros’ which means dry and ‘sicyos’ meaning cucumber: that’s because this genus is a member of the cucurbit family (Cucurbitaceae) and is therefore related to cucumbers, gourds and melons.
Xerosicyos danguyi is classed as a liana as, given the opportunity, it will scramble among trees. Its stems produce tendrils (that look much like the tendrils on a cucumber plant) to help it anchor onto its hosts.
There are six accepted species in the Xerosicyos genus, all endemic to Madagascar, of which X. danguyi is one: and the only species that is evergreen. X. perrieri has thinner, more ovate leaves, while X. pubescens grows from a large caudex or swollen basal stem (see below for an image of this).
If you are interested in the plants of Madagascar, follow @TeamKMCC on Twitter, which is the Kew Madagascar Conservation Centre, working to stop biodiversity loss there.
This is a dioecious species, meaning plants produce either male or female flowers ,but not both. In order to get viable seed you’d need a male and a female plant, which you could then cross-pollinate. There’s some information and pictures of the female flowers here. The picture below shows the male flowers (I think!).
This plant loves lots of heat, so will need to be grown in a sunny windowsill: if you are lucky enough to live in a climate like that of California, you could incorporate it into a xeriscaped bed, as per the picture below.
I haven’t propagated my plant yet as it’s too young, but I’ve read that it’s preferable to use a stem that’s mature, and has firmed up to be fairly woody, as this ensures success. Unlike many other succulent species, it will not successfully root from an individual lea: like Hoya kerrii, it may produce roots, but unless there is a piece of stem attached, it will not put on new growth.
Here’s a useful video on propagating the silver dollar vine, showing cuttings with four leaves. I also love this video from the fabulous Maria’s Plants on the same subject, which shows a slightly different technique taking short sections of stem with one leaf. Whichever approach you take, remember to leave the cuttings to callus over at the cut point for a day or two, and make sure you know which end of the cutting is the base and which is the top.
Two other underrated trailing succulents I love are Aporocactus flagelliformis the rat’s tail cactus and Crassothonna capensis (often still known by old name Othonna capensis), commonly known as ruby necklace or string of pickles.
Xerosicyos pubescens growing in habitat in Madagascar. This caudiciform is under particular threat from plant poachers. Photograph: voyage-madagascar.org on Flickr.
If you live in California or the Mediterranean, you may be able to grow the silver dollar vine outside, like this garden in Mission Hills, California, where it is displayed with flowering Euphorbia milii and other cacti and succulents. Photograph: Cultivar413 on Flickr.
QUESTION OF THE WEEK
Clare wanted help with her somewhat straggly Philodendron hederaceum ‘Brasil’. I suggest propagating some of the stems by rooting in water and planting them back in the top of the pot to help it look fuller. I also find that ‘Brasil’ tends to grow better when it has something to cling onto - whether that’s an obelisk, some trellis or a cane.
Want to ask me a question? Email ontheledgepodcast@gmail.com. The more information you can include, the better - pictures of your plant, details of your location and how long you have had the plant are always useful to help solve your issue!
HOW TO SUPPORT ON THE LEDGE
Contributions from On The Ledge listeners help to pay for all the things that have made the show possible over the last few years: equipment, travel expenses, editing, admin support and transcription.
Want to make a one-off donation? You can do that through my ko-fi.com page, or via Paypal.
Want to make a regular donation? Join the On The Ledge community on Patreon! Whether you can only spare a dollar or a pound, or want to make a bigger commitment, there’s something for you: see all the tiers and sign up for Patreon here.
The Crazy Plant Person tier just gives you a warm fuzzy feeling of supporting the show you love.
The Ledge End tier gives you access to two extra episodes a month, known as An Extra Leaf, as well as ad-free versions of the main podcast on weeks where there’s a paid advertising spot, and access to occasional patron-only Zoom sessions.
My Superfan tier earns you a personal greeting from me in the mail including a limited edition postcard, as well as ad-free episodes.
If you like the idea of supporting On The Ledge on a regular basis but don't know what Patreon's all about, check out the FAQ here: if you still have questions, leave a comment or email me - ontheledgepodcast@gmail.com. If you're already supporting others via Patreon, just click here to set up your rewards!
If you prefer to support the show in other ways, please do go and rate and review On The Ledge on Apple Podcasts, Stitcher or wherever you listen. It's lovely to read your kind comments, and it really helps new listeners to find the show. You can also tweet or post about the show on social media - use #OnTheLedgePodcast so I’ll pick up on it!
CREDITS
This week's show featured the tracks Roll Jordan Roll by the Joy Drops, The Road We Use To Travel When We Were Kids by Komiku, Endeavour by Jahzzar and Chiefs by Jahzzar. The ad music was Dill Pickles by the Heftone Banjo Orchestra. All tracks licensed under Creative Commons.